Lina Filipovich is a multidisciplinary artist and musician, born in Minsk, Belarus, and based in Paris. Her practice spans electronic music, textile, installation, screen printing, and found footage film. Her work explores the deconstruction of religious iconography through a feminist and post-religious lens.
The work of Lina Filipovich reclaims religious, political, and cultural symbols, transforming them into tools of resistance, reinterpretation, and feminist mythmaking.
Rather than rejecting these visual languages entirely, Lina inhabits an in-between space, where appropriation becomes a strategy to expose and destabilize systems of patriarchal and authoritarian power while opening them to new, subjective meanings.
A graduate of the Ăcole Nationale SupĂ©rieure dâArts de Paris-Cergy, Lina is a member of the Paris-based artist collective Non Ătoile.
Her installations and performances have been presented in venues such as the Centre Wallonie-Bruxelles and IRCAM/Centre Pompidou in Paris, Haus der Kulturen der Welt in Berlin, Le Bon Accueil in Rennes, Le 6B in Saint-Denis, and the Abbaye de Maubuisson, as well as at the 69th Salon de Montrouge.
Her music, merging experimental electronics with deconstructed liturgical and classical compositions, has been released on international labels such as Time Released Sound (US), Umor Rex (Mexico), Blank Mind (UK), Central Processing Unit (UK), and Hundebiss (Italy).
Her work has been featured in publications including Connaissance des Arts, Coeval, DJ Mag, Electronic Sound Magazine, The Quietus, and Bandcamp Daily.